Preguntas Frecuentes Waterslide HT
Empiece por elegir uno de estos temas
Cómo eliminar el fondo blanco detrás de mi imagen?
Intente volver a guardar el archivo usando un software diferente, por ejemplo: Illustrator, Photoshop o CoralDraw.
Por qué mi diseno está descolorido?
Un tambor desgastado puede dar lugar a una mala cobertura de tóner, afectando al color deseado del diseño.
Cuando aparezca el mensaje “Tambor de imagen cerca del final de la vida útil” (Image drum near end of life), le recomendamos que observe la calidad de impresión del color respectivo y mantenga un tambor de repuesto listo.
Before Printing: Preparations!
Answer:
- Switch on your device.
- Go into the Calibration Menu, select “Reg. Adjust” and confirm to correct the colour registration.
- Print a test design, preferably, with the primary colors Cyan, Magenta, Yellow, Black/White.
Cuáles son los formatos de archivos compatibles?
En general, todos los formatos de archivo comunes se pueden utilizar al imprimir en nuestros papeles transfer con una impresora OKI de Tóner Blanco.
EPS, PSD, TIFF, PDF, JPG, BMP…
Sin embargo, recomendamos imprimir desde CorelDraw. CorelDraw puede importar la mayoría de los formatos de archivo. Por ejemplo, puede crear y guardar sus diseños en cualquier programa de Adobe o crear e imprimir directamente desde CorelDraw.
La impresión de diseños detallados de Photoshop requiere más esfuerzo y sólo es posible en ordenadores con gráficos de gama alta.
Que fuente de alimentación (carga de papel) se debe configurar?
En las configuraciones de impresión, se debe escoger la opción Bandeja Multiuso.
Cargue el papel en la bandeja multiuso con el lado donde se va a imprimir hacia arriba.
Why do we recommend rasterization?
Reason:
Even photos or designs with a background can be transferred with Laser-Dark (No-Cut). In this case, we recommend to rasterize the design to achieve a soft touch on the fabric. With the help of our “TransferRIP“ software, you can rasterize your design with a few clicks and benefit from many other features.
A rasterized design on the fabric feels even softer than a screen print and has also extremely good wash-fastness. Since the surface is limited to the raster points, a rasterized print has much better washability than a print with larger or full-scale areas.
Make sure that your silicone pad is faultless and glued to the lower plate.
Reason:
If the upper and the lower plate of the heat presses are not touching each other in a pure vertical movement, but also partially in a horizontal (slide) movement, this may lead to an incomplete transfer of the B-Coating to the A-Foil, especially by large, full-scale designs or pictures. This might happen due to a mechanical fault, where the closing device is worn out, loosened or defect.
Qué debo comprobar en la plancha antes de iniciar la aplicación de los papeles transfer?
- Retirar el teflón o cualquier cubierta de algodón de la placa superior e inferior. El teflón absorbe demasiado calor y conduce a resultados inconsistentes.
- Pre-calentar la plancha. No basta que la temperatura mostrada en la pantalla sea la correcta. Es muy importante que la placa de metal inferior esté caliente.
- Recomendamos cerrar la plancha algunos minutos hasta que la placa de metal inferior esté caliente.
- Mantenga su plancha en la posición cerrada cuando no esté en uso. Esto mantiene la placa inferior caliente y lista para su próxima aplicación.
Note: Para asegurarse de que ha alcanzado la temperatura correcta, intente tocar la placa inferior de metal. Si no puede tocarlo durante más de 1/2 segundos, su plancha está lista para estampar.
Tips & Tricks: The bottom silicone pad of your heat press should not be too soft!
Tips & Tricks:
Extremely Soft silicone pads may lead to problems in the separation of A- and B- Media.
Tips & Ticks: Always place the transfer media in the middle of your heat press.
Tips & Tricks:
Always place the transfer media in the middle of your heat press.
Reason:
Some heat presses do not have uniform heat & pressure distribution on the edges. The further you go to the edges, the more likely processing errors will occur, due to this lack of pressure on and around these areas.
It is important to leave the A & B Media on the press during the separation.
Reason:
Otherwise, cold air will flow under the media and will cause the transfer to cool down rapidly. If the media cools down too fast, parts of the design may transfer from your A- media to the B paper which is not desired.
Do not separate the A & B Media too fast.
Reason:
A too fast separation may lead to torn-out areas on round edges or other critical areas in your design.
Separate the A & B Media in a flat and consistant motion.
Reason:
The media remains flat on the press and the separation works perfectly.
Tape each corner of the transfer (A-Foil) with heat resistant tape.
Reason:
While opening the press or removing the textile from your press, it may happen that the corners of the A-Foil lift up from the fabric. This leads to undesired hot-peeling and to incomplete and faulty edges.
Peel the A-Foil when absolutely cold.
If you remove the Transfer Media while still warm, it will lead to an incomplete and faulty transfer.
I want to use my Laser Printer to transfer images to stone (Travertine). What are my options?
Question:
I want to use my Laser Printer to transfer images to stone (Travertine). What are my options?
Answer:
I would suggest Multitrans, if you can use a suitable press, like FOREVER 728, which is able to save much heat and is equipped with high power consumption (at least 2.000 Watts), to produce enough heat. The result will be a professional, scratch resistant surface.
Travertine should be able to cope with temperatures about 150 Centigrades or more.
If you own a cheaper press, you should use Waterslide. The surface will be professional, but not complete scratch resistant.
What is a transfer made up of?
A transfer is made up of a carrier paper or transparent foil and inks. When heated to a certain temperature and pressed with a significant amount of pressure for a certain amount of time, the transfer inks are passed over to the printable surface.
There are bands of white going horizontally through the printed design. What should I do?
Answer
This problem is generally caused by clogged or dirty print heads. Check your printer manual for instructions on how to do a head cleaning. If you have performed the cleaning process and you are still having issues, contact your printer manufacturer.
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